From the very beginning in 1979, Group 180’s musicians and composers constructively agitated the stagnant cultural years of the late Kádár era. The group, which enjoyed as much success in university clubs as it did at international festivals, functioned as the Hungarian flagship of minimalist music hallmarked by the Americans Steve Reich and Philipp Glass. Like most contemporary art riding against the mainstream, Group 180 also had its countercultural, political dimension. “Group 180 – 35 Years: 1979-1990, 2014 (2014) BMC Records“ bővebben
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